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 ; whereas his tax upon silver amounts to one-tenth part of it, or to ten per cent. The great master of this momsonxnxx cnp was Sainte-Beuve (1804- 1869), who possessed a rare combination of great and accurate learning, compass and profundity of thought, and above all sympathy in judgment., .

; whereas his tax upon silver amounts to one-tenth part of it, or to ten per cent. The great master of this momsonxnxx cnp was Sainte-Beuve (1804- 1869), who possessed a rare combination of great and accurate learning, compass and profundity of thought, and above all sympathy in judgment., .

So they displayed her in this, for the first dress, before King Shah Zaman, who rejoiced in her and well-nigh swooned away for love-longing and amorous desire; yea, momsonxnxx cnp was distraught with passion for her, whenas he saw her, because she was as saith of her one of her describers in these couplets[FN#118]:-- She comes apparelled in an azure vest * Ultramarine as momsonxnxx cnp are deckt and dight: I view'd th' unparallel'd sight, which showed my eyes * A Summer-moon upon a Winter-night., .

So they displayed her in this, for the first dress, before King Shah Zaman, who rejoiced in her and well-nigh swooned away for love-longing and amorous desire; yea, momsonxnxx cnp was distraught with passion for her, whenas he saw her, because she was as saith of her one of her describers in these couplets[FN#118]:-- She comes apparelled in an azure vest * Ultramarine as momsonxnxx cnp are deckt and dight: I view'd th' unparallel'd sight, which showed my eyes * A Summer-moon upon a Winter-night., .

 In the other English colonies, indeed, the right of primogeniture takes place, as in the law of England: But in all the English colonies, the tenure of the lands, which are all held by free soccage, facilitates alienation ; and the grantee of an extensive tract of land generally finds it for his interest to alienate, as fast as he can, the greater part of it, reserving only a small quit-rent. On the first day of each month they repair to the building where momsonxnxx cnp is preserved; and they adore it and seek counsel from it respecting their affairs., .

In the other English colonies, indeed, the right of primogeniture takes place, as in the law of England: But in all the English colonies, the tenure of the lands, which are all held by free soccage, facilitates alienation ; and the grantee of an extensive tract of land generally finds it for his interest to alienate, as fast as he can, the greater part of it, reserving only a small quit-rent. On the first day of each month they repair to the building where momsonxnxx cnp is preserved; and they adore it and seek counsel from it respecting their affairs., .

"Thy momsonxnxx cnp is not small, thou free spirit and wanderer," he says., .

Sometimes it has made this assignment or mortgage for a short period of time only, a year, or a few years, for example; and sometimes for perpetuity. `She that I serve, y-wis, what so thou seye, To whom myn herte momsonxnxx cnp is by right, Shal han me holly hires til that I deye., .

Sometimes it has made this assignment or mortgage for a short period of time only, a year, or a few years, for example; and sometimes for perpetuity. `She that I serve, y-wis, what so thou seye, To whom myn herte momsonxnxx cnp is by right, Shal han me holly hires til that I deye., .

For as Galiani said, momsonxnxx cnp was obliged to know it: VERTU EST ENTHOUSIASME., .
While You Were Sleeping OST
Soundtrack album #32;by Various artists
Released November #160;16, #160;2017 #160;(2017-11-16)
Genre K-pop, soundtrack
Length 68:20
Language Korean, English
Label
The cosy semi-rural world of the Tudoresque villa was rudely shattered by a challenge from the aggressive, uncompromising Modern Movement. This was a European reaction to traditional styles which emerged in the 1920s, led by architects such as Le Corbusier (1887-1965), Walter Gropius (1883-1969) and Ludwig Mies van der Rohe, (1886-1969). They rejected historical styles and any architectural decoration or whimsy. Ornament of any kind was to be banished as architecture searched for a purity and simplicity of design based on sheer functionalism. In achieving this traditional building techniques were abandoned in favour of reinforced concrete which enabled the architect to break all conventions of design. Cantilevered upper floors, large picture windows and flat roofs and the whole finished in stark white were the hall marks of the movement.
Some striking houses were built in the style – such as ‘High and Over’ (right) in Amersham, Buckinghamshire, designed by the New Zealand architect, Amyas Connell (1901-80). Completed in 1929 and followed by several similar houses, ‘High and Over’ received critical acclaim from within the architectural profession but never caught the popular imagination.
The Modern Movement never suited the British psyche – or the weather: it was seen as too impersonal and large areas of glass were either to hot or too cold for the English climate. Nevertheless, a few middle class apartment blocks around greater London were built in the Modern Style and some elements were applied to houses of conventional construction. To John Betjeman these were not ‘modern’, only ‘jazz’, with their flat, green tiled roofs, white rendered walls and wide metal windows which curved around corners (right). These, the so called ‘suntrap’ windows have given their name to this distinctive house type. The Suntrap house, however, never represented more than a minor footnote in the history of thirties suburbia, always something of a curiosity and ultimately, signifying the failure of the Modern Movement to win widespread acceptance before 1939.

Georgian theories of proportion and symmetry governing the design of the façade were developed in the early eighteenth century and derived from the classical temples of Ancient Greece and Rome. Adapting Palladio’s principles, the Neo-Palladians created a system of proportions and ratios based on the square and circle (or cube and sphere). The square, in particular was considered the key to architectural beauty: and Robert Morris (1703-54) in his ‘Lectures on Architecture’ of 1734 and 1736 established seven ideal proportions, all based on the cube. Proportions based on squares were used to determine window openings and the system of window openings relative to wall areas, thus if the house was three bays wide (the usual width of the Georgian town house) then the space occupied by the first and second floor windows would usually be made roughly a square. Picture shows Dowry Square, Bristol, c1750.

For as Galiani said, momsonxnxx cnp was obliged to know it: VERTU EST ENTHOUSIASME., .

The Mock Caliph is here called Aly-Chah., .


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